I hope you enjoy viewing the wide variety of traditional Indian dress styles featured on this page. In addition to the pictures, I will explain the component garments such as the lehenga, choli, dupatta and the different types of sari saree.

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Twenty fashion designers across India participated in Vibrant Fashion Week The event was organised to show off the latest Indian fashion talent and to develop the fashion industry within Gujarat State.

India’s top models paraded for 3 days with various designers Collections.

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The Brand Ambassador for Chirag Joshi showed their collections for spring summer I am showing the photos over several pages on fashion-era.

But first, a look at the different types of Indian dress.

Many Asian women shun western clothes and prefer to wear traditional forms of dress. Proud of their heritage many young people with an Indian ancestry love dressing up and flaunting traditional Asian clothing especially at family, wedding and festival occasions.

In a nation with a rich cultural history, traditional costume still plays a big part in everyday Indian way of life.

Any bride who will be the star of an Indian wedding should remind herself she also needs to be comfortable for the long event. But once a bride has settled on her chosen style then she can select the appropriate fabric for the garment type and season.

While the style of Asian apparel is recognised everywhere in the world, many of us don’t know the names of those individual garments.

Since there are many living languages and dialects spoken throughout India, Asian clothing pieces are frequently called a different name in a different region, but essentially the garments are similar.

What I want to do is simplify the female costume to a few of the essential styles a westerner may already have seen, but is unsure of its name. Other items an Indian woman may wear include the dupatta, the Odahni and the Kurti.

What essentially makes the look totally bridal is the traditional jewellery and decorative mehendi henna work.

Designers are producing pre-tucked and pre-pleated waistbands, half-draped and part stitched saris that eliminate traditional adjusting and fitting. Women’s Bikinis Two-Piece Swimsuits discounts on the best women’s two-piece swimwear Mala Rai Singhani.

Some brides will of course select western bridal gowns if that is their preference. The Indian female garment most of us are able to recognise is the sari also spelt Saree, Shari and Sharee.

Saree is also how it sounds when spoken. The Sanskrit word chira means ‘a wearable length of cloth’ and sari comes from a corruption of this.

In Prakrit after the decline of Sanskrit the same sari garment was called Sadi. From all of these spellings I’m favouring sari as that’s how I have always known word for this wonderful garment.

For many years the popularity of the Bollywood film industry has been highlighting the sari as the national dress of India.

Indian fans want to look like the film star celebrities who wear these garments and they do of course look closer to formal western dress and also show a lot more body.

According to legend the sari has existed for 5, years. This is not unexpected especially if you recall the draped methods of dressing used by other ancient civilizations such as the Greeks and Romans.

What is amazing is that the sari garment has survived where togas and other robes have passed into myth and are now only seen in the land of fancy dress.

In India the original sari form is still widely worn by Indian ladies in every part of India. This is essentially the same style of dress as worn by ancestral Indian women hundreds of years ago.

Whilst younger women favour western dress especially jeans and tops, many wear traditional dress too. A sari is worn with a blouse top called the choli, which is also called ravika.

The sari is worn with short or long cholis or the Kurti top. You are reading an original Indian dress fashion article by Pauline Weston Thomas only for publication on www.

Where women wear saris they also wear a top called a choli, which is like a blouse but allows for a bare midriff. You can see examples where women don saris and wear the choli all over India, Pakistan, Bangladesh and Sri Lanka.

The choli is an under bodice that like the Ghaghara petticoat acts as a foundation for the top layer of the sari, but unlike the Western petticoat, the Indian choli can be quite visible.

The choli can be cropped short and snappy, almost like a built-up bra and finishing under the bustline revealing bare midriff flesh.

A U-scoop neckline is simple, and can be cut to be revealing or not making it easy to wear and easy on the eye. The cropped design is suitable for the hotter regions of the sub-continent, but the choli can also be longer to cover more flesh rather as an over-blouse does.

The choli top can have a V, round, boat, sweetheart, square, wrap-over, button front neckline or shoestring strap.

The traditional silk choli complements the sari fabrics very well. Shimmering contrast warp and weft yarns create fabulous pattern effects like this designer choli left.

The choli can act as the accent that pulls the outfit together in the way that a western woman uses a great coloured bag or belt to achieve the same effect.

Modern designer cholis are often simple bandeaus and bra styles. Cut-out keyhole backs and modern knit materials are all part of the newer choli designs.

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The traditional sari saree has always been a statement of refinement in both old and modern India. The traditional length of a sari is a rectangular woven length of fabric, with loom fabric width at 4ft by a bolt length of 18ft.

Yes 9 yards of fabric that will pleat and flow into goddess drapery. This decorated short end is called the Pallav or Pallu.

It is the pallu end that we see flowing over the face or over the breasts. Interestingly, Greek costume images show wearers draping their pallu too.

Historically early saris were undecorated, but with time fabric was block printed, and decorative weaving or embroidery added. Embellishment became normal and today is almost the whole point for occasion wearing of a sari – to show off a sumptuous length of decorative fabric, including lavish scallop edge lace tulle fabrics.

The arrangement of a sari is peculiar to a region, and so there are many forms of draping. However the most popular drape method is the nivi.

In Gujarati the style is just like the nivi, but the draping of the pallu end of the sari is different.

In Gujarati the loose pallu end is draped over the right shoulder and from back to front. How the pallu is arranged gives the wearer individual choice.

She has the opportunity to leave the pallu hanging freely or tuck it into the waistline with freedom to show or conceal the navel. The model above wears a sari with a rich rose embroidered band over a halter style choli.

She could easily drape her semi sheer sari over her head pallu style. Unlike some models this girl shows how the sari has mystery – she hides her midriff and navel but with a semi sheer fabric that hints at the body beneath.

Pre most saris were made of fine silk or cotton, but in recent decades synthetic materials especially polyester silk and polyester georgette has meant women everywhere can afford to buy a sari.

The same shimmering effects are used in sari fabrics.

Indian silk is one of the fibres used in the making of the most fine or heavy woven silk saris whether traditional self draped saris or designer prepared sari gowns.

The more decorative saris with extensive embellishment and embroidery are as expensive as any western designer fashion anywhere. Contemporary designer pre-made saris are often fixed into position and have zips for ease of access so they can be put on just like an evening dress.

This does not make them worse or better, but is a new approach to wearing a traditional garment.

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Designers are producing pre-tucked and pre-pleated waistbands, half-draped and part stitched saris that eliminate traditional adjusting and fitting.

This is how fashion evolves in any century. Designers can fix drapery in specific ways peculiar to a regional sari draping style and introduce innovation that a younger customer may have difficulty achieving the correct expertise which is easy when done daily, but harder for occasional use.

At first this approach may seem threatening to the traditional sari, but ease of putting on a sari may even help to maintain the sari in the eye of C21 st women.

Ease of dressing with a little fastener here and there, a zipped or half constructed designer sari may also mean the sari style spreads globally as celebrities adopt the gown.

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They love the graceful draped fashion look. As wanna-bees make it their must-have too. It’s easy to recognise that in the face of the current craze for maxi dressing this is a real possibility.

In fact designers acknowledge that the one shoulder style of the sari is their direct source of inspiration for asymmetric draped dresses so beloved of celeb followers.

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Today there is hardly a pop star, politician’s wife or film celebrity that hasn’t donned a sari at some stage of their life to make a cultural leap making it the garment of choice for numerous formal multi cultural events.

As ladylike dressing returns we may see more of this traditional long dress as the sari offers an alternative romantic elegant chic that transcends seasonal trends.

Sari buying is easier if you know what you like or want or which product is best. Silk and cotton are good traditional choices and if you are wealthy enough then a diaphanous fine silk sari may be on your shopping list.

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The more expensive the sari the more likely it will be heavily embellished or complex in its ornate weave especially on the Pallu end.

When saris have gold or silver pattern in the weave this is known as zari jari work. Frequently the sari warp will be a thread of one colour and the weft a different yarn.

This adds variety, lightness, shimmer and sometimes extra strength to a sari fabric. Mostly you will want a silk base, but you may want decoration and different types of jari add the metallic effects.

You may also want your sari to be long lasting so factors such as high thread count and the use of top quality pure jari come into play.

Pure jari is the best as it’s is more long lasting and the sari will last longer.

This pure jari uses silver thread plated with gold. Heavy silk tissue for example is made from a silk warp and the weft weaving thread is made from jari producing a silk cloth which shimmers with a shot of gold.

Varoosi is also a gold shot silk, but uses a gold weft every few rows rather than every row. The alternative copper jari is dry clean only and not particularly admired and you are advised to save up for pure jari saris.

Brocade is a silk that can use Jari and is made on a Jacquard loom to create richly ornate patterns. Heavy surface embroidery work such as shisha mirror work, buttis, zari jarizardosi jardosizardoji, golden dori work, beads, kasabtiki, tikli, aari, stones, chikankari, phulkari, gotapatti, sequins, sequences, kundan and are all used to embellish silk saris.

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Zardosi stitches are very elaborate and closely worked and used on heavier weights of fabrics including coats and curtains.

Kamadani is lighter and more suitable simply worked on finer gossamer fabrics such as clothing and scarves. Surat in Gujarat is famous for Karchobi work – spangles, raised designs and thread combinations all create rich patterns.